๐‡๐จ๐ง๐  ๐Š๐จ๐ง๐  | ๐‹๐ข๐ญ๐ญ๐ฅ๐ž ๐‡๐š๐ฐ๐š๐ข๐ข ๐…๐š๐ฅ๐ฅ๐ฌ ๅฐๅคๅจๅคท็€‘ๅธƒ


ๆ—ฅๅธธใฎๅ†™็œŸใ‚’ๆ’ฎใ‚‹

โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ €โ €
๐Ÿ“ธ๐’๐Ž๐๐˜ ฮฑ๐Ÿ•๐ฅ๐ฅ๐ฅ + ๐“๐š๐ฆ๐ซ๐จ๐ง ๐Ÿ‘๐Ÿ“๐ฆ๐ฆ ๐Ÿ/๐Ÿ.๐Ÿ– ๐ƒ๐ข ๐ˆ๐ˆ๐ˆ ๐Ž๐’๐ƒ ๐Œ ๐Ÿ:๐Ÿ
โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ €

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PALO SANTO AND NEGATIVITY

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MUJIๅพท็ฆๅปฃๅ ดๅบ— ๅ„ชๅ…ˆ้ ่ฆฝ